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  • The Body | The Blood: #001 – Stay Woke and Get Out w/ Eons D
The Body | The Blood: #001 – Stay Woke and Get Out w/ Eons D IMG_2204-1 Full view

The Body | The Blood: #001 – Stay Woke and Get Out w/ Eons D

March 31, 2017Blake I. Collier Horror, The Body | The Blood, Thriller0

The Body | The Blood is here with its first regular episode! From here on out, we will be posting a new episode on the last day of every month to appease your horror needs! We have a great episode for you today as we talk about Get Out with special guest, Eons D (Louisville-based MC). We dig into the technical elements of the film, how it parallels the current state of race relations and the black experience in America and talk about the backlash to, mostly, the trailer. We had a great time recording this discussion and we hope you will enjoy it also!

Download #001 — Stay Woke and Get Out:

Hipcast (RSS Feed)
iTunes
Stitcher
Google Play

Our opening and closing themes were created by friend of the show, Jeff Hansen. You can find him @GwarfJansen on Twitter.

Our NEW podcast artwork was created by friend of the show and RWT contributor, Scott Kelly. You can find him @scoke15 on Twitter.

Information on our guest here.

Show Notes and Links are here.

Written by Blake I. Collier

Blake I. Collier hails from the flatlands of the Texas Panhandle, but currently resides in Tulsa, Oklahoma with his wife and son. He draws lines (and the occasional circle) for his day job. He has written for various websites mostly about horror and film, but occasionally about the other various facets of existence. He is co-host of So Grosse Such Pointe Much Blank, a podcast focusing specifically on the 1997 film, Grosse Pointe Blank. He, also, has a chapter on QAnon and the 2008 film, Martyrs, in Toxic Cultures: A Companion from Peter Lang Publishing. You can reach him at blakeicollier@gmail.com.

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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