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The Walking Dead S9E14: Scars

The Walking Dead S9E14: Scars

March 20, 20192

In one of the more heart-wrenching episodes of the season (which is saying a lot for a season in which…

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The Walking Dead S9E13: Chokepoint

The Walking Dead S9E13: Chokepoint

March 13, 20190

Last week I discussed how “Guardians” set up three interactions wherein all parties were at odds with one another, and…

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The Walking Dead S9E12: Guardians

The Walking Dead S9E12: Guardians

March 5, 20191

In reviewing my notes, it struck me that with “Guardians,” we’re being shown three primary interactions between individuals or groups…

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The Walking Dead S9E11: Bounty

The Walking Dead S9E11: Bounty

February 25, 20190

Once again an apology is in order to my weekly readers. I don’t imagine anyone is on the edge of…

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Film as Confession: <I>Taste of Cherry</I> (1997) and <I>Sex, Lies, & Videotape</I> (1989)

Film as Confession: Taste of Cherry (1997) and Sex, Lies, & Videotape (1989)

February 15, 20190

“Film is truth, 24 times a second.” –Jean Luc-Godard We live in a world of displacement. Through the efforts of…

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The Walking Dead S9E9: Adaptation

The Walking Dead S9E9: Adaptation

February 11, 20191

I championed the cemetery scene from the season 9 midseason finale as one of the best in the history of…

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4 Observations on Death in the Avengers: Endgame Trailer

4 Observations on Death in the Avengers: Endgame Trailer

December 14, 20180

These Avengers trailers need to chill, man. Just like the lead up to Infinity War, they always get me tossing up…

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The Walking Dead S9E8: Evolution

The Walking Dead S9E8: Evolution

November 26, 20181

First things first; I owe an apology to my regular readers for not having written a review on last week’s…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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