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A Deluge of Dark Water(s): The Dark Waters of <I>Dark Waters</I> (1944), <I>Dark Waters</I> (1993), <I>Dark Water</I> (2002), and <I>Dark Waters</I> (2019)

A Deluge of Dark Water(s): The Dark Waters of Dark Waters (1944), Dark Waters (1993), Dark Water (2002), and Dark Waters (2019)

May 22, 20200

When I was a child, I thought I was surrounded by bad guys. This is not a metaphor. I had…

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Out of the Woods, Into the Clearing: The Transformation of Innocence in <I>Halloween 5: The Revenge of Michael Myers</I> & <I>The Night of the Hunter</I>

Out of the Woods, Into the Clearing: The Transformation of Innocence in Halloween 5: The Revenge of Michael Myers & The Night of the Hunter

June 21, 20190

This piece was originally published on October 26, 2018 at Grindhouse Theology. With their permission, it is being republished here. The…

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Reviewing the Classics| The Third Man

Reviewing the Classics| The Third Man

July 26, 20170

It’s always a good day when you can dig into Film Noir, and The Third Man is a prime example…

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Reviewing the Classics| Spellbound: Psychology, Sexism, and Reversing the Roles

Reviewing the Classics| Spellbound: Psychology, Sexism, and Reversing the Roles

May 17, 20170

Woah. I’m no stranger to director Alfred Hitchcock’s work, and I have seen Spellbound a few times before this (though…

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Reviewing the Classics| Rebecca

Reviewing the Classics| Rebecca

September 7, 20160

I am quite surprised to be the first to review a Hitchcock film here on Reviewing the Classics, but I…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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