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About Joshua Crabb

Josh Crabb (@HeyItsThatJosh) is an editor, writer, and sometimes talker for Reel World Theology. He is also the co-host of a weekly Star Wars podcast, Home One Radio (@homeoneradio). When he's not obsessing over movies or Star Wars, he works as an educator in Appleton, WI and spending time with his best friend and wife, Tina, and his 4 super awesome kids!

My Top Ten 2018: Josh Crabb

My Top Ten 2018: Josh Crabb

January 17, 20190

When looking back at 2018 in movies, it may be seen as a lackluster year or possibly an underrated year.…

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Reel World: Rewind #033 – Unbreakable

Reel World: Rewind #033 – Unbreakable

January 15, 20191

On this episode of Reel World: Rewind… With the upcoming release of M. Night Shyamalan’s Glass, it seemed fitting to…

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Reel World: Rewind #032 – Wreck-it Ralph

Reel World: Rewind #032 – Wreck-it Ralph

November 19, 20180

On this episode of Reel World: Rewind… With the impending release of Ralph Breaks the Internet, it seemed only fitting to…

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Review| Overlord

Review| Overlord

November 14, 20180

J.J. Abrams’ Bad Robot studios have surprised with genre movie conventions layering callbacks to their B-movie origins and bigger cinematic…

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Review| Hold the Dark

Review| Hold the Dark

October 23, 20180

Director Jeremy Saulnier’s growing filmography should be getting much more attention. He surprised everyone with the low-fi action thriller Blue Ruin in…

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Review| Mandy

Review| Mandy

October 19, 20181

A Latin proverb states, “revenge is a confession of pain.” While there is little evidence to find the origin of…

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Review| Venom

Review| Venom

October 18, 20180

An otherworldly being inhabiting a human has been an oft-treaded conceit in the science fiction genre. The characters affected experience…

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Reel World: Rewind #031 – Addams Family Values

Reel World: Rewind #031 – Addams Family Values

October 15, 20180

On this episode of Reel World: Rewind… Leave it to Josh to pick a non-scary movie for October, but he…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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