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All posts by Hannah Lorence

About Hannah Lorence

Hannah Lorence loves a good story. She discusses film on her blog, cinemaquina.co , and picks up freelance writing jobs covering food and film when she's not working at her day job in marketing. She recently moved to Brooklyn with her husband, James, and big, fluffy, clumsy Goldendoodle, Max. When she's not blogging or working on her screenplay, you can find her at the local movie theater, popcorn and Icee in hand

Review| Molly’s Game

Review| Molly’s Game

January 8, 20180

I wanted to love this movie. I really did. I put it on my list of most anticipated movies of…

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Review| Downsizing

Review| Downsizing

December 28, 20170

Reactions to Downsizing from critics and audiences have been mixed with scores ranging from 25 to 100. Be that as…

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Review| Roman J. Israel, Esq.

Review| Roman J. Israel, Esq.

November 30, 20170

Unsurprisingly, Denzel Washington gives an excellent performance in his latest film Roman J. Israel, Esq., but even though he’s following…

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Review| Wonderstruck

Review| Wonderstruck

November 16, 20172

Adapted from Bryan Selznick’s New York Times bestselling novel, Todd Haynes’ (Carol, Far From Heaven) latest film Wonderstruck is an…

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Review| Lady Bird

Review| Lady Bird

November 3, 20171

We’ve seen Greta Gerwig as a creative force as an actor in films like 20th Century Women and Frances Ha.…

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Review| The Meyerowitz Stories (New and Selected)

Review| The Meyerowitz Stories (New and Selected)

October 24, 20170

Family is so instrumental in shaping who we are. The Meyerowitz Stories (New and Selected), holds that reality under a…

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Review| Ingrid Goes West

Review| Ingrid Goes West

September 22, 20170

It’s no secret that social media is a huge part of the average person’s life these days. I’ll admit that…

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Review| To The Bone

Review| To The Bone

September 13, 20170

It’s very apparent when you watch To The Bone that this story is authentic and extremely real to the people…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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