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All posts by Mikey Fissel

About Mikey Fissel

Mikey Fissel (@fizzification) is the Creator/Producer/Managing Editor of Reel World Theology. He lives in Greensboro, NC with his wife, Laura, and their three children. He finds much joy from recounting his catch-phrase, "Story is Powerful and Entertainment is Not Mindless..."

#102 – Hail, Caesar! and No Insignificant Professions

#102 – Hail, Caesar! and No Insignificant Professions

June 20, 20160

On this episode of the Reel World Theology Podcast: We had the chance to circle back around to a film…

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Review| Gods of Egypt

Review| Gods of Egypt

June 16, 20160

I feel there is not a lot of people itching to read a review of Gods of Egypt because, well,…

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Review| Warcraft

Review| Warcraft

June 13, 20160

The Summer movie season rolls along and it seems like the films keeping getting bigger and bigger! This past weekend…

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#101 – X-Men: Apocalypse and God Talk

#101 – X-Men: Apocalypse and God Talk

June 10, 20162

On this episode of the Reel World Theology Podcast: Bryan Singer is back with another installment in the beloved X-Men…

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Three Reasons to Go See ‘Warcraft’

Three Reasons to Go See ‘Warcraft’

June 9, 20161

Tomorrow (or technically tonight), Warcraft (Blizzard Entertainment’s most successful property), the latest movie to be brought to the big screen…

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Game of Thrones: S0607 The Broken Man

Game of Thrones: S0607 The Broken Man

June 7, 20160

Mark is on assignment this week and this space is being temporarily filled by Mikey Fissel, managing editor at Reel…

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#100 – 100th Episode Special: Why We’re All Here

#100 – 100th Episode Special: Why We’re All Here

June 1, 20160

On this very special episode of the Reel World Theology Podcast: We’ve reached the 100 milestone! Three years and a hundred…

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Review| X-Men Origins: Wolverine

Review| X-Men Origins: Wolverine

May 26, 20160

On the heels of the highest grossing, yet most critically reviled installment of the X-men franchise, X-Men: The Last Stand,…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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