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About Chris Crane

Chris Crane is a writer and regular contributor to Grindhouse Theology, where he explores the intersection of horror films and Christian theology. He is currently a graduate student, pursuing two master’s degrees in the areas of systematic and historical theology and theology and the arts.

The Monsters Have Arrived and We are Them: The Soska Sisters’ <em>RABID</em>

The Monsters Have Arrived and We are Them: The Soska Sisters’ RABID

March 21, 20200

In the history of cinema, several filmmakers have stuck out as memorable, those who left a mark on the industry…

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The Pains of Being Human: <I>The Man Who Killed Hitler and Then the Bigfoot</I> (2018) & <I>The Lego Movie 2: The Second Part</I> (2019)

The Pains of Being Human: The Man Who Killed Hitler and Then the Bigfoot (2018) & The Lego Movie 2: The Second Part (2019)

August 16, 20190

We all live with the weight of our life’s choices. Some of those choices we seem to forget about by…

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Reflections on a Sense of the Self: <I>Toy Story</I> (1995) and <I>Us</I> (2019)

Reflections on a Sense of the Self: Toy Story (1995) and Us (2019)

April 19, 20190

In the social jungle of human existence, there is no feeling of being alive without a sense of identity.” –…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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