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About Blake I. Collier

Blake I. Collier hails from the flatlands of the Texas Panhandle, but currently resides in Tulsa, Oklahoma with his wife and son. He draws lines (and the occasional circle) for his day job. He has written for various websites mostly about horror and film, but occasionally about the other various facets of existence. He is co-host of So Grosse Such Pointe Much Blank, a podcast focusing specifically on the 1997 film, Grosse Pointe Blank. He, also, has a chapter on QAnon and the 2008 film, Martyrs, in Toxic Cultures: A Companion from Peter Lang Publishing. You can reach him at blakeicollier@gmail.com.

Of The 1950s

November 22, 20180

It would not be long until the boom of Hollywood in 1946 would begin to crumble under the weight of…

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Review| Widows (2018)

November 19, 20180

It has been mentioned by many at this point but considering the type of story Steve McQueen usually endeavors upon,…

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Review| Suspiria (2018)

November 6, 20180

The film reviews coming out of major news and cultural commentary sites seem to fall within two categories when attempting…

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Of The 1940s

October 25, 20180

Mere years after the introduction of sound technology into film, Hollywood would nearly nose dive in 1941 and then reach…

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The Hunter Gets Captured By The Game: Halloween (2018)

October 24, 20182

“Everyday brings change, and the world puts on a new face Sudden things rearrange, and this whole world seems like…

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of the 1930s

September 27, 20180

“Horror films served as a kind of populist surrealism, rearranging the human body and its processes, blurring the boundaries between…

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A Pretentious & Self-Aware Review of Assassination Nation

September 24, 20180

*This review is simply a hot take a mere hour after viewing this film, but I think this is a…

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Of The 1920s

August 23, 20180

The 1920s holds a special place within cinema history as German Expressionism makes its way onto American shores. Known for…

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