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#204 – Godzilla: King of the Monsters and Mixed Messaging

#204 – Godzilla: King of the Monsters and Mixed Messaging

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#204 – Godzilla: King of the Monsters and Mixed Messaging

June 25, 2019Mikey Fissel Action, Adventure, Fantasy, podcast, RWT0

On this episode of the Reel World Theology Podcast:

Another special PATRON sponsored episode. Another of our esteemed Patreon sponsors, Hunter and Stephie Van Wagenen, have selected one monster of a film, Godzilla: King of the Monsters. The 2014 Godzilla film was a hit with the panel but was mixed with audiences and critics. Does King of the Monsters do a good job of following up on its predecessor? Does it lay enough solid groundwork for sequels? We hypothesize.

Download Episode 204 Here:
Reel World Theology #204 – Godzilla: King of the Monsters and Mixed Messaging
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This episode’s panel included Blake Collier and Josh Crabb:

Blake Collier (@LostInOsmosis)
Oh! The Horror Series

Josh Crabb (@HeyItsThatJosh)
Home One Radio

Podcast Notes and Links:
Reel World Theology Discussion Group
Godzilla: King of the Monsters at IMDB
Godzilla: King of the Monsters at Rotten Tomatoes
Godzilla: King of the Monsters at Metacritic
It’s Not About You: Godzilla: King of the Monsters and the Legacy of Toho at Reel World Theology
Hail to Godzilla: King of the Monsters at ScreenFish
Godzilla: King of the Monsters Review at SlashFilm

Written by Mikey Fissel

Mikey Fissel (@fizzification) is the Creator/Producer/Managing Editor of Reel World Theology. He lives in Greensboro, NC with his wife, Laura, and their three children. He finds much joy from recounting his catch-phrase, "Story is Powerful and Entertainment is Not Mindless..."

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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