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Yearly Archives: 2020
<I>Love Jones</I> (1997) & <I>The Photograph</I> (2020): The Value of Words

Love Jones (1997) & The Photograph (2020): The Value of Words

March 20, 20200

Nearly 25 years ago, the producers of the independent gem Love Jones had a modest and honest goal with its…

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“Nepenthe” – <em>Star Trek: Picard</em> S1E07

“Nepenthe” – Star Trek: Picard S1E07

March 12, 20200

There are certain things in this episode that cannot go unaddressed. To begin with, it sees the return of Will…

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<em>Hamilton</em>: Racial Reconciliation or Revolutionary Revisionism?

Hamilton: Racial Reconciliation or Revolutionary Revisionism?

March 11, 20200

Three years ago, I was mortified when my teenage daughter became obsessed with Lin-Manuel Miranda’s award-winning Broadway musical Hamilton, with…

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Review| Burden

Review| Burden

March 10, 20200

Like I talked about in my review of last year’s Skin, it is difficult telling a story of America’s ugly past…

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“The Impossible Box” – <em>Star Trek: Picard</em> S1E06

“The Impossible Box” – Star Trek: Picard S1E06

March 5, 20200

Star Trek: Picard feels like a fever dream. It’s a big ball of nostalgia bouncing around a very modern sci-fi…

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Review| <em>Reel Redemption</em>

Review| Reel Redemption

March 2, 20200

Reel Redemption is a visual essay by film critic and academic Tyler Smith about the conflicts between Hollywood and Christianity.…

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<em>Frozen II</em> and the Inescapable Story of Redemption

Frozen II and the Inescapable Story of Redemption

February 28, 20200

Frozen II is quite honestly an amazing sequel, as far as sequels go. The animation is gorgeous, the musical sequences…

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“Stardust City Rag” – <em>Star Trek: Picard</em> S1E05

“Stardust City Rag” – Star Trek: Picard S1E05

February 27, 20200

Note: I can’t very well begin this article any other way than the episode did: with spoilers. Make sure you’ve…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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