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Yearly Archives: 2019
Editorial: Martin Scorsese and the Marvel-Go-Round

Editorial: Martin Scorsese and the Marvel-Go-Round

October 30, 20190

Around the middle of the decade, Harper’s critic Charles E. Whittaker gave a scathing film review. Art is supposed to…

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S07 E01 – Joker and the Final Joke

S07 E01 – Joker and the Final Joke

October 25, 20191

On this episode of the Reel World Theology Podcast: There has been a lot of conversation (and worry) about the…

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Reel World: Rewind #042 – Zombieland

Reel World: Rewind #042 – Zombieland

October 23, 20190

On this episode of Reel World: Rewind… Josh finally gets Fizz back on Rewind to talk about a movie he…

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Hell Is Behind That Door: <I>Suspiria</I> (1977 & 2018) and the Curse of Knowledge

Hell Is Behind That Door: Suspiria (1977 & 2018) and the Curse of Knowledge

October 18, 20190

How does one go about remaking Dario Argento’s blood-splattered hallucination Suspiria? One doesn’t. Were one to try they would wreck…

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Review| <em>Joker:</em> Giving In to Sin

Review| Joker: Giving In to Sin

October 18, 20191

It has been said that a hero is nothing without a good villain. Lacking a proper antagonist to stand in…

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The Human Factor of <em>Hobbs & Shaw</em>

The Human Factor of Hobbs & Shaw

October 17, 20190

I enjoy the Fast & Furious franchise, and I’m not afraid to admit it. Oh sure, some highbrow film fans…

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Trektember: 2019 Wrap-Up (plus: Deep Space Nine Season 8?!)

Trektember: 2019 Wrap-Up (plus: Deep Space Nine Season 8?!)

October 1, 20190

Hey, guess what? We did it, for the fourth time! (Did what? If you missed the entirety of Trektember, click…

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Trektember: What You Leave Behind

Trektember: What You Leave Behind

September 30, 20190

In my post about this episode on my own blog, I talked about how frustrated, even angry I was about…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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